Laura Bell, a painter based in the Bronx, and Ian Ganassi, a poet in New Haven, met as artists in residence at the Millay Colony. In 2005, Ian mailed Laura an unfinished poem and handwritten phrases on a piece of printer paper stained with coffee rings, and in an accompanying letter asked her to do something to it. This became the first move in what evolved into their ongoing collaborative collage series, “The Corpses,” titled after the Surrealist game of Exquisite Corpse. With each mailing, words, images, and objects are added and new pieces are started; at any point, either of them can call a work finished. At first it was assumed that Ian would contribute text and Laura visuals, but this division soon dissolved, with Laura adding lines cut from ads or subway handouts and Ian melting crayons and experimenting with paint. They each had already been using collage methods in their own bodies of work, Ian with overheard and appropriated lines in his poems and Laura with photos and laser prints in the grounds of her paintings.