CLAES OLDENBURG
Architect's Handkerchief, 1999
Architect's Handkerchief, 1999
LOUISE LAWLER
Too Easy, 2001/2010
Direct cibachrome face mounted to plexiwood
14 x 10.5 in. (35 x 27 cm)
JANE FREILICHER
Lilacs and Torso, c.1955
Oil on canvas
43 x 43 in. (109 x 109 cm)
FERNANDO BOTERO
The Street, 1998
Oil on canvas 77 x 46 in. (196 x 17 cm) each, Quadtych
GARY HILL
In addition to presenting Gary Hill’s “Remembering Paralinguay” for Art Taipei 2008’s special exhibition, “Art & Tech – Wandering”, ZONE: Chelsea Center for the Arts presented “Language Willing”, “Church and State” and “Big Legs Don’t Cry” by Gary Hill.
Language Willing, 2002
Single-channel video/sound installation
HD video projector (or HD monitor/display, size variable), two speakers, and HD video server (color; stereo sound)
Dimensions: if projected, projection size approx. 10 h. x 14 w. ft. (3.05 x 4.27 m.)
A text performed by the Australian poet-composer Chris Mann acts as a linguistic pulse for a pair of hands minding two discs, arranged side by side in a wide-format projection. The circular shapes, covered with flowery decorative patterns, one red and one creamy white, spin bi-directionally at varying times in unison and independently. Sounding like multiple voices, the somewhat musical speech runs wild through a nonlinear array of subjects held together (and apart) by self-reflexive phrases and punctuation. The fingers move decidedly over the moving surfaces, contorting as necessary in order to touch only the flowers and leaves. The movements of the fingers and discs and the rhythm and pitch of the voice become something of a physical/verbal dance.
Big Legs Don’t Cry, 2005
Single-channel video installation, silent One 45-inch LCD monitor, one DVD player and one DVD
25 ½ h. x 43 w. inches (65 x 109 cm.)
Church and State, 2005
Single-channel video/sound installation
One 45-inch LCD monitor, one DVD player and one DVD
25 ½ h. x 43 w. inches
Although related to the earlier series entitled Liminal Objects (1995 – 98), in which black-and-white, computer-generated animated images are coupled in continuous, interactive motion, the works in Hill’s recent series (which include Big Legs Don’t Cry, 2005; Attention, 2005; Church and State, 2005; and Spoonful, 2005) are rendered in color and created specifically for a wide-screen format, flat-panel LCD screen measuring 25 ½ h. x 43 w. inches (65 h. x 109 w. cm.). These works involve objects that, in a sense, violate each other’s borders in unpredictable ways, with the repetitive interaction and circular logic of their movement suggesting different readings of these veritable micro-scenes. Hinting at elements of symbology, they are “objects on the threshold of being something other than objects, ‘animated’ in a sense deeper and stranger than the technical.” [George Quasha in conversation with Gary Hill]
All above photos: Courtesy Donald Young Gallery, Chicago
Born in Santa Monica, California, USA
Lives and works in Seattle, Washington, USA
Gary Hill has been working with sculpture and electronic media since the early 1970’s and has produced a large body of both single-channel video works and mixed-media installations. His long time work with intramedia continues to explore an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity. His installation and performance work has been presented at museums and institutions throughout the world, and Hill has been the recipient of numerous awards and honors, most notably the Leone d’Oro Prize for Sculpture at the Venice Biennale in 1995, a John D. and Catherine T. MacArthur Foundation Grant in 1998, and the Kurt Schwitters Award in 2000.
My primary concern is work-as-inquiry – bringing the processual space to an interactive level that includes myself, the viewer and other possible collaborators into an ontological dialogue. I remain committed to cybernetics and the inherent nature of electronic media – real time feedback – as a rich strategy for working. At the same time, I am interested in bringing out the fallibility of technology – making work that suggests a loss of technology. I am also concerned with a number of dichotomies: mind/body, material/non-material, intuition/self-consciousness, sense/non-sense, etc.
JACKIE MATISSE
Works on paper
Jackie Matisse
Installation view
Works on paper
Jackie Matisse
Installation view
Works on paper
Jackie Matisse
Installation view
Fans
2009
Fans
2009
Fans
2009
Fans
2009
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Born in France, Jackie Matisse lived in New York until 1954. Since then she has lived in Paris making frequent visits to New York. Between 1959 and 1968 she worked for Marcel Duchamp, completing the assemblage of the “Boite en Valise”. At this time using her married name, Jacqueline Monnier, she began to make kites “in order to play with color and line in the sky”. In 1980 she showed kites which were created to be used underwater at the Betty Parsons Gallery in New York, and since then has continued to make kitelike objects intended for three different kinds of space: the sky, the sea, and indoor space, all linked through her use of movement.
In collaboration with Molly Davies, filmmaker and David Tudor, composer, she created two videos on her underwater and sky work. In the 1980’s she collaborated with David Tudor composer and musician. She just had a comprehensive show of her work at the Mengei International Museum in San Diego, California, U.S.A.
ONE PERSON EXHIBITIONS
2009 Heads and Tails: Hommage to Merce, ZONE Contemporary Arts, New York, NY
2005 New Art Volant, Zone Chelsea Center for the Arts, New York, N.Y
2002 Art Flying In and Out of Space, Virginia Tech’s Perspective Gallery and Virginia Tech Virtual Reality Cave, Blacksburg Virginia, April-May 2002. In collaboration with the University of Illinois at Chicago.Mountain Lake Workshop, April 2002 with Ray Kass, director.
2001 First event Echigo Triennale, August 2001, Sponsored by Art Front Gallery, Tokyo Japan
2000 Art that Soars, Mengei International Museum, San Diego, Ca. , U.S.A.
1999 Kitetail Cocktail, Goldie Paley Gallery, Philadelphia, Pa. U.S.A.
1998 Jacqueline Matisse Monnier Kiallitasa,Bartok 32 Galéria, Budapest, Hungary
1998 The World’s Most Beautiful Automobile, Milan, Italie , commission of ‘Wand’ a prize for Mr. Giovanni Agnelli.
1993 Magic Hair & Bottled Dreams,Galerie Satellite, Paris, France.
1988 Installation:Elle est rouge la petite fleur bleue, Musée Saint Roch, Issoudun, France.
1987 Galerie Jean Fournier, Paris, France
1985 Joan Mirò Foundation, Barcelona, Spain.
1984 Mobilis in Mobile, exhibition and air and underwater performance, Galeria Cadaquès, Spain.
Tangled Tails, performance and exhibition, Atelier Arc-en-ciel, Brest, France.
1982 Exposition à Poils, Samy Kinge Gallery, Paris, France
Ephemeral Gameswith performance, Galeria Cadaquès, Spain.
Underwater Kites and Moving Pieces, Anne Berthoud Gallery, London, England.
1981 The Traveling Exhibition, with performance, Philadelphia Museum of Art, Philadelphia Pa. U.S.A.
1980 Works Underwater and in Space, Betty Parsons Gallery, New York, N.Y., U.S.A.
1976 Kites, a Summer Celebration, with performance, ICA, London, England.
Galerie Jean Fournier, Paris, France.
1975 Formes d’Air et de Mouvement Musée des Sables d’Olonne, France.
- 9 Kite Tails Alexander Iolas Gallery, Paris, France.
GROUP SHOWS
2005 La Légèreté,Galerie Pixi, Paris, France
IS&T/SPIE International Symposium, Electronic Imaging 2005, January San Jose, California, Presentation of Art Volant dans l’espaceet ailleursby Dave Pape. No sound.
2004 Set for Cunningham Ballet Co. Joyce Theater, New York. NY
Festival International des Cerfs-Volants, Dieppe, France
Shaped by the Wind : Kites, The Hudson River Museum, Yonkers, New York
2003 Art Volant dans l’espace et ailleurs, presentation of a collaborative project of kites flying in virtual reality, with interactive sound by Tom Johnson; Nicéphore Days, ENSAM, Chalon-sur-Saône, France
Pour le Vacuovélodrome of Alfred Jarry, Nicéphore Days, ENSAM, Chalon-
Sur-Saône, France, 11 Kitetails
60 Poux du Ciel,Nicéphore Days, Espace des Arts, Chalon-sur-Saône, France.
Wabi Sabi in the West, A.V.C. Contemporary Arts Gallery, NY, New York
2002 Le Japon Mystérieux,Galerie Satellite, Paris, France
1997 Odeurs…Une Odyssée,Passage de Retz, Paris, France.
From one point to another, L’Atelier Soardi, Nice, France.
10 Jours d’Art Contemporain, Chateau de Nemours, Nemours, France.
1996 Happy End,Galerie Satellite, Paris France.
1995 First Symposium of Art Volant, Foundation Pilar i Joan Miro, Mallorca, Spain
1994 WeathervanesMusée Matisse, Le Cateau-Cambrésis, France.
Singuliers de L’art Galerie 2000, Paris, France.
1993 Drawing Sounds; An Installation in Honor of John Cage, by William Anastasi, Philadelphia Museum of Art, Philadelphia, Pa. U.S.A.
Rolywholyover A Circusby John Cage,The Museum of Contemporary Art, Los Angeles, The Menil Collection, Houston, Solomon R. Guggenheim Museum, New York City, Art Tower Mito, Japan.
They quoted Matisse, Galerie de France, Paris, France.
Qu’est-ce que j’ai fabriqué? Qu’est-ce que je n’ai pas fabriqué?
Jean Dupuy, Galerie Donguy, Paris, France;
1991 Le Musée Miniature, Galerie Pixi & Cie, Paris, France.
Les artistes décident de jouer, Association Campredon Art & Culture,
L’Isle-sur-la-Sorgue, France.
Zero Gravity, Art Advisory Service MOMA at City Bank, Long Island City, New York, U.S.A.
1990 Art, Culture et Foi, Galerie St. Séverin, Paris, France.
Art that Flies, with Curt Asker and Tal Streeter. The Dayton Art Institute, Dayton, Ohio, U.S.A.
Sixième Rencontre Internationale de Cerfs Volants, Dieppe, France.
1988 Festival des Ailes et de l’Espace, with performance, Centre d’Actions Culturelles, St Médard en Jalles, Bordeaux, France.
Lost and Found, The Fabric Workshop, Philadelphia, Pa. U.S.A1987
FIAC, Galerie Jean Fournier, Paris.
1986 XXXI Salon de Montrouge, Montrouge, France.
Inspiration comes from Nature, Jack Tilton Gallery, New York, N.Y., U.S.A.
Like Kites, MOMA, New York, N.Y., U.S.A.
1985 Plein Vent, A.R.E.A., Baie de Somme,France.
R.O.R.. Evening for the “Revue Parlée” with C. Asker, E. Ferrer, Y. Tono, H. Mathews. Presentation of her seven minute video film with David Tudor “Tailing a dream” and performance. Centre Pompidou, Paris, France.
1984 Underwater, Plymouth Arts Center, Plymouth, England.
1983 Fliegende Bilder, Fliegende Plastik, with performance, Föhr, Germany.
1982 Coup de Vent dans la Prairie, Atelier d’A., with performance, Caen, France.
1981 Drachen, Landesmuseum, Bonn, Germany.
1980 Group Show, Heath Gallery, Atlanta, Georgia, U.S.A..
Christmas Show, Betty Parsons Gallery, New York, U.S.A.
Métiers d’Art, Musée des Arts Décoratifs, Paris, France.
1979 Sculptures pour le ciel, Maison de la Culture, Rennes, France.
Messages pour l’espace, Centre d’actions culturelles de Sceaux, with performance, Sceaux, France.
1978 Kite Festival, Plaine de la Belle Etoile, Vincennes, France.
1977 Boites, ARC, Musée d’Art Moderne de la Ville de Paris, France.
Artistes-Artisans, Musée des Arts Décoratifs, Paris, France.
Pays, Visage de Vent, La Chartreuse de Villeneuve-lès-Avignon, with performance, Villeneuve-lès-Avignon, France.
La Boutique Aberrante de Daniel Spoerri, Centre Georges Pompidou, Paris, France.
Flags, Banners and Kites, Allied Arts Foundation, Seattle Wa. U.S.A.
1976 Vos Papiers, SVP, Musée des Sables d’Olonne, France.
Images pour le Ciel, Festival d’automne, exhibition and audiovisuel installation, Paris, France1975 Coup de Vent, with performance, Montrouge, Franc1974 Grandes Femmes, Petits Formats, Iris Clert Gallery, Paris, France.
1975 Coup de Vent, with performance, Montrouge, France 1974.
Grandes Femmes, Petits Formats, Iris Clert Gallery, Paris
IN COLLABORATION WITH DAVID TUDOR
2000 Sounds & Files, Kunstlehaus ,Vienna, Exposition of David Tudor’s sound table.
1990 Volatils and Sonic Reflections, Neue Musik München Klang Aktionen 90. Munich, Germany.
Volatils with Sonic Reflections, Jack Tilton Gallery, New York,N.Y., U.S.A.
1988 Lines and Reflections II, Rheinischen Musikfest, Kunstacademie, Düsseldorf, Germany.
Lines and Reflections I, performance with David Tudor, The Kitchen, New York,N.Y., U.S.A.
1986 Sound Totem, 9 Lines, performance with David Tudor and Molly Davies, Whitney Sculpture Court, New York, N.Y., U.S.A.
1985 R.O.R. evening for the Revue Parlée with C. Asker, E.Ferrer, Y. Tono, H. Mathews, Centre Pompidou Paris, France. Accompanied by Jackie Matisse’s production of a 7 minute video film called “Tailing a Dream“. Music David Tudor, camera Andy Ferullo and Molly Davies.
1984 Sea Tails, video installation, Centre Georges Pompidou, Paris, France.
1984 Sea Tails,David Tudor concert, Moderna Museet, Stockholm, Sweden.
1983 Sea Tails, David Tudor concert, Music Festival, Lugano, Italy.
1983 Sea Tails, video installation, with Molly Davies, and David Tudor, Frankfort, Germany.
PUBLICATIONS
2000 Art that Soars, Kites and Tails by Jackie Matisse, Exhibition Documentary Publication, Mengei International Museum, San Diego, Ca; U.S.A.
1997 The Blue Book,by Jackie Matisse, Editions de l’Onde
1996 Cerfs-Volants L’art en Ciel, Editions Alternatives Eric et Marc Domage
1991 Art That Flies, avec Curt Asker et Tal Streeter. The Dayton Art Institute, Dayton, Ohio.
1980 Water Story,Reaktion, Verlag galerie Leaman
Related:
“Airborne Abstraction”, ART IN AMERICA reviews Jackie Matisse’s exhibition
By Jill Johnston, Vol. December 2005
SCULPTURE MAGAZINE review on Jackie Matisse
"Jackie Matisse: Collaborations in Art and Science", November 2006
MIRYANA TODOROVA
Foreign Body: Castles out of Sheds
2019
Oil on linen, triptych
34 x 76 in. (86 x 193 cm)
Foreign Body: Scream
2016
Oil on canvas
58 x 38 in. (147 x 97 cm)
Foreign Body: Unstable Paradise
2018
Oil on linen
48 x 26 in. (122 x 66 cm)
Foreign Body: Camp On A Pile of Shit
2018
Oil on linen
48 x 26 in. (122 x 66 cm)
Embodied in Flesh
2018
Oil on linen
48 x 36 in. (122 x 91 cm)
Foreign Body: Dance
2016
Oil on linen
24 x 18 in. (61 x 46 cm)
Foreign Body: Wrap Around
2016
Oil on canvas
24 x 18 in. (61 x 46 cm)
Foreign Body: Snake Chamber
2016
Oil on linen
24 x 18 in. (61 x 46 cm)
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Miryana Todorova (b.1984 Sofia, Bulgaria) is a visual artist who lives and works between Sofia and NY. The major concern in her work is questioning the politics of public space and how people occupy it. Her projects combine painting, performance, video, movable architecture and public interventions. Miryana holds a MFA Fine Arts degree from the School of Visual Arts, NY. She has participated in numerous exhibitions in Europe and the US among which: Movables at frosch&portmann gallery, NY, Being at the Storefront for Art and Architecture, NY, Movement of the Whole at INDA gallery, Budapest, Disconsent at the Center for Contemporary Art- the Ancient Bath, Plovdiv, and dissident desire at DISTRICT Kunst- und Kulturförderung, Berlin. Miryana is the recipient of the Gaudenz B. Ruf Award for Young Artist (2011) and was a resident and fellow at the Skowhegan School of Painting & Sculpture (2012), ZK/U-Center for Art & Urbanistics (2013), District Berlin (2013), BRIC Visual Artist Residency (2014), and Eileen S. Kaminsky Family Foundation (ESKFF) at Mana Contemporary, NJ (2016). Ms. Todorova has been featured in publications such as Artforum, TimeOut New York, Blouin Artinfo, Le Monde Diplomatique, and Kultura.
My paintings propose ideas and ways of imagining movable architecture. Temporary structures in transit set up new ways of perception and geometry. With shifting grounds and no solidity, the work continuously involves movement and adaptation and every layer becomes a reaction to the transformation of a physical and spatial encounter.
Moving lands of uncertainty and precariousness emerge. Actions are open to improvisation and reconstruction. Gestures flow within open frames bouncing on and off of each other, going along each other, merging or falling apart. Clusters of adaptable architecture bump into actual barriers. Favelas, slopes and fluid corridors come close to the viewer and simultaneously create an obstructed perspective. The clash between depth and sculptural form, coming forward and layering onto one another, serves as a tool for engagement. Negotiation becomes the infrastructure. No arrangement is accidental. No order is fixed. Each bridge needs an extension. A hybrid structure, a moment of spontaneity or an ephemeral city shaped by vulnerability.
Foreign Body is a series of paintings based on the situations and contradictions between bodies and structures in transit. These works are about adaptations, not quite fitting but being considered fit, perceiving a structure and not being able to surpass and cross over on the other side of it while still attempting to reshape the body to adapt and fight with landscapes and structural powers of oppression and disregard.
The multiple layers within the paintings construct various viewpoints and cut outs- the feeling of being submerged and removed from the landscape at the same time. The canvas becomes the stage for performing vulnerability, separation, awkward encounters, obscured visibility and lack of clarity. The movable forms merge with dissident desire for resistance to demonstrate the constant fight with a world that moves forward too much on the basis of differences and conflicts rather than connectedness and collaboration.
(b.1984, Sofia, Bulgaria)
Education
2012 Skowhegan School of Painting and Sculpture School of Visual Arts, New York, MFA Fine Arts
2009 School of Visual Arts, New York, BFA Fine Arts
2007 Elisava Escola Superior de Disseny, Barcelona
Diploma in Design, Art and Society: Actions on Public Space
2006 Istituto Europeo di Design, Rome, BA Illustration and Animation
2004 Central Saint Martins, University of the Arts, London, Foundation Degree
Selected Exhibitions
2018 Recent Work: Foreign Bodies & Palaces of Sheds, Studio 510 – Artists Collective Exhibitions, Mana Contemporary, New Jersey, curated by Zeljka Himbele
2017 Places of Pleasure, Sofia City Art Gallery, Sofia, curated by Stefka Tsaneva
MIS, 184 Project Space, Brooklyn, New York, curated by Donna Cleary
Foreign Bodies, Roger Smith Hotel, New York, curated by Danika Druttman
Prototype:
In Motion, Societe Generale Expressbank, Sofia, curated by Studio Komplekt
2016 SVA x Skowhegan, SVA Chelsea Galleries, curated by Lauren Haynes
Toys And Other Things That Make You Cry, ICA- Institute of Contemporary Art, Sofia
Borderless: In Perspective, Lite- Haus Galerie, Berlin, curated by David C. Terry
2015 Process in Progress, Baeckerstrasse4 Gallery, Vienna, curated by Vessela Nozharova
Not Only To Believe In Magic But To Be A Proof of It, Variofocus, viennacontemporary fair, Vienna
Mature and Angry, 21th Week of Contemporary Art, Art Today Association Center for Contemporary Art- The Ancient Bath, Plovdiv, curated by Boris Kostadinov
Save The Dreams: Contempoary Bulgarian Artists In The Imago Mundi Collection, Fondazione Giorgio Cini, Venice, curated by Claudio Scorretti
A Travelling Satellite, DISTRICT Kunst- und Kulturförderung, Berlin
Satellite Affects And Other Lines of Flight, DISTRICT Kunst- und Kulturförderung, Berlin, curated by Susanne Husse and Andrea Keppler
Alt/Process/ Safe In My Frame, Achter de Boom Gallery, New York
Human-Nature, Salon 659, Brooklyn, New York
Attachment Theory, 184 Project Space, Brooklyn, New York
Gazellig, Achter de Boom Gallery, New York
Dissident Desire, Chapter 3, DISTRICT Kunst- und Kulturförderung, Berlin
Face to Place, New York Foundation for the Arts, Brooklyn, New York, curated by Felicity Hogan To The Heart of A Woman, Stephan Stoyanov Gallery, NY hosted by Arosita gallery, Sofia
2014 Movement of the Whole, INDA Galéria, Budapest, curated by Kamen Stoyanov
Disconsent, 20th Week of Contemporary Art, Art Today Association Center for Contemporary Art- The Ancient Bath, Plovdiv, curated by Iara Boubnova
Expanded Objects for Shared Living: Dream Station, Box Office, BRIC, Brooklyn, New York, curated by Jenny Gerow
There Is More Downstairs II, Stephan Stoyanov Gallery, New York, curated by Zeljk Himbele
2013 Being: Younger than Storefront, Expanded Objects for Shared Living, Storefront for Art and Architecture, New York, curated by Eva Franch i Gilabert and Carlos Mínguez Carrasco
Dissident Desire, Chapter 1: Exercises of Critical Body Building, DISTRICT Kunst- und Kulturförderung, Berlin, curated by Susanne Husse and Lorenzo Sandoval
Space Lab, 11th MitOst Festival, Leipzig, curated by Kristina Semenova and Olga Vostretsova Suspension, Artistdock, Postdamer Str 79, Berlin, curated by Arianna Plevisani and Serena Rota Footnotes, Node Center for Curatorial Studies, Berlin, curated by Patrícia Rosas
Archive of A Moving Body, ZK/U – Center for Art and Urbanistics, Berlin
Got Eyes, Encores! Musical Theater, New York City Center, New York, cuarted by Zeljka Blaksic
Subterranean Echoes, ZK/U – Center for Art and Urbanistics, Berlin
Urban Prothesis, ParaArtFormations, K67_Urban Router, Berlin, curated by Miodrag Kuc
239 Days, Allegra LaViola Gallery, New York, curated by Stephen Maine
2012 Movables, Frosch&Portmann Gallery, New York
Break/Step, Radiator Gallery, New York, curated by Eileen Jeng
Who Left What Behind, Art Gallery ‘Iliya Beshkov’, Pleven (Exchange Project: Contemporary Female Artists from Bulgaria and Turkey)
Time Geometry – Practices in Public Environment, Plovdiv History Museum, Plovdiv, curated by Bora Petkova and HR-Stamenov
Pulse, The Invisible Dog, Brooklyn, curated by Brian Whiteley and Pantelis Klonaris Object Not Found, Parlour No. 21, Venice, curated by Leslie Rosa
Every Once Sometimes Now, Visual Arts Gallery, New York, curated by Ron Segev
2011 Report 23, Museum Giuseppe Scalvini, Desio, curated by Cristiano Plicato
The Bulgarian Pavilion, Credo Bonum Gallery, Sofia, curated by Svetlana Kuyumdzhieva
The Proposal, General Consulate of Bulgaria, New York, curated by Stanislava Georgieva
Unlimited, Award for Contemporary Bulgarian Art Mtel, Benchmark Business Center, Sofia
You Can Have Your Void and Eat It Too, Two Moon Art House, New York
Temporary Status: Bulgarian Artists in America, Immigrant Movement International, New York, curated by Daniela Kostova
Shortlist 2011- nominated artists for Gaudenz B. Ruf Award, Rayko Aleksiev, Sofia, catalog Brutal Beauty, Para_SITE Gallery, Graz, curated by Stephan Wabl
Luoghi Diversi, Palazzo Terragni, Lissone, curated by Cristiano Plicato
Lumen: Video Art Festival, Staten Island, New York, curated by Ginger Shulick
NY Temporary: The City Through Film and Video, Center of Photography and the Moving Image, New York, curated by Liam Davis and H. P.Garcia
2010 Lost Horizon, ArtJail, New York, curated by David Gibson
MLAB Presents, Stephan Stoyanov Gallery, New York, curated by Natalia Mount
Dwelling-in-Travel, 16th Week of Contemporary Art, Plovdiv, organized by Art Today Association, curated by Katia Anguelova and Andrea Wiarda, catalog
Abstract Intentions, Westside Gallery, New York, curated by Keren Moscovitch SVA Alumni Selection, Palisades Park Public Library, New Jersey
2009 Learning Curve, Marian Spore, Industry City, New York, curated by Michael Connor OFB: The Flatbush Derby, Brooklyn College, New York
Avant-Guide to NYC: Discovering Absence, Apexart, New York, curarted by Sandra Skurvida Refashioning: Moda Мода, On Time Security Guard Training School, Bronx, New York,
curated by Hatuey Ramos Fermín
Peep-O-Rama, Chashama AK-57 Gallery, New York, curated by El Celso
Sum of Nothing, Lumenhouse, Bushwick, New York, curated by Sarah O’Donoghue
Making It/ Selections from the 2008 NYFA Mentoring Program for Immigrant Artists, 60 Wall Street Gallery/ Deutsche Bank, New York, curated by Liz Christensen, catalog
New Art/ New York, Visual Arts Gallery, New York, curated by Jeanne Siegel Process and Presence, SVA Main Gallery, New York, curated by Richard Brooks
2008 Prime Time, Westside Gallery, New York, curated by Suzanne Anker and Tom Huhn
Meetings, National Palace of Culture, Sofia
2007 View Finder, Westside Gallery, New York, curated by Jutta Koether
Crossing Boundaries in Public Space, CCCB- Centre de Cultura Contemporània, Barcelona Cakewalk, Metafora- Centre d’Estudis d’Art i Artteràpia, Barcelona
Naked in Your Socks, Metafora- Centre d’Estudis d’Art i Artteràpia, Barcelona
Awards, Honors and Fellowships
2013 District Kunst- und Kulturförderung, Berlin, Studio Grant ZK/U Berlin- Center for Art and Urbanistics, Fellowship
2011 Gaudenz B. Ruf Award, category Young Artist
2010 Charles G. Shaw Award, Brooklyn College, New York
Special Merit Award, MFA Fine Arts Department, School of Visual Arts, New York
2009 School of Visual Arts, New York, Travel Grant, ‘Art on Art’ Workshop, Venice Biennial
2006 Apriti IED, Rome, Merit Award Best Short Film, ‘Metapostermorfosi’
2004 Central Saint Martins College of Art, London, Chairman’s Merit Award
Residencies
2016 MANA BSMT Residency, Mana Contemporary, New Jersey, curated by Z Behl ESKFF: Eileen S. Kaminsky Family Foundation Residency
2014 BRIC Visual Artist Residency
2008 School of Visual Arts, New York, Public Art Residency
2007 Metafora- Centre d’Estudis d’Art i Artteràpia, Barcelona, International One-Year Residency 2006 International Summer Academy, Salzburg, Residency program
2005 School of Visual Arts, New York, Painting and Mixed Media Summer Residency
DONALD JUDD
Donald Judd
Untitled (74-20 Bernstein) 1974
Stainless steel units with red enamel painted backs
Ten units; each 12 x 24 x 14 in. (30.5 x 61 x 35.9 cm.)
ROBERT RYMAN
Robert Ryman
1985
Oil on fiberglass panel
PILAR GOUTAS
Lives and works in Mexico City
EDUCATION
Graphic Design, UNIVERSIDAD IBEROAMERICANA, México City
Fashion Design, INITITUTO MARANGONI, Milan, Italy
SELECTED EXHIBITIONS
INSTITUTO ITALIANO DE CULTURA, México City 2018
CENTRO CULTURAL EL OLIMPO, Subasta , Mérida Yuc. 2018
Explanada Angel Independencia Fundación México Vivo 2018
MUSEO ARTE MODERNO Subasta México Vivo 2017
MUSEO ARTE MODERNO “México Vivo” 2016
PALACIO AUTONOMÍA “Pon a rodar mis sueños”, México City 2016
PLAZA LORETO Exposición bicicletas, México City 2016
PINACOTECA Nuevo León “Manos por México” Mt. Mex. 2014
MUSEO DE ARTE MODERNO “México Vivo” 2013
MUSEO ARTE MODERNO “México Vivo” 2012
MUSEO ARTE MODERNO “México Vivo 2011
Demiurg studio by Kai Hilgerman Gallery “LIMBO” 2011
Berlin Germany 2011
MUSEO ARTE MODERNO “México Vivo” 2010
MUSEO ARTE MODERNO “México Vivo” 2009
SUNSHINE INTERNATIONAL ART MUSEUM “Ojos Rojos” Beiijing China 2009
OPEN 798 ART DISTRICT “Ojos Rojos” Beijing China 2009
Centro Alemán de Diseño, México City 2008
Galería Fine Arts Pablo Goebel, México City 2008
Zone Chelsea: Center of the Arts Collections NY 2007
ZONE Chelsea Center of the Arts “Zonema” NY 2006
ATRIO Centro Histórico, México City 2005
OPEN Venice Italy 2005
MUSEO TAMAYO “México Vivo” 2004
PALACIO POSTAL “Proyecto Mural” México City 2004
Galería Sans Filtre “Del Lado de Acá” México City 2004
Galería Sans Filtre “ Del lado de Allá” México City 2004
UNIVERSIDAD IBEROAMERICANA México City 2003